Mimeomeme disseminates unusual sound art made by an eclectic collective of artists involved with phonography, no- and low-fidelity recordings, raw digital data, plunderphonics, primitive analog synthesis, noise, infrasound, and tape cut-ups as well as other oblique, not-yet-classified sonic epiphenomena.

  mimeomeme is proud to announce four new releases!

Seattle Phonographers Union
"Seattle Phonographers Union"
CD and/mim1

The Seattle Phonographers Union celebrates the release of their eponymous CD, "Seattle Phonographers Union", a co-operative effort between Seattle-based imprints and/OAR and Mimeomeme.
This CD collects unedited sections culled from favorite performances spanning from 2004 to 2008. Performers include Steve Barsotti, Peter Comley, Katie Gately, Mark Griswold, Doug Haire, Susie Kozawa, Dale Lloyd, Perri Lynch, Rob Millis, Toby Paddock, Heather Perkins, Steve Peters, and Jonathan Way.

(and/OAR is a long standing recording label committed to releasing unique and interesting environmental recordings and various kinds of avant-garde sound art that somehow utilizes environmental recording(s). www.and-oar.org)




"Draws the Atlantic"

CD mimeo007

The new 6 panel digipak from Atlatl!
Spikes of analog frequencies stutter and stumble through the fractured network, evoking surreal territories, whose inhabitants metamorphose and clash through failed attempts at evolution.
Culled from two studio sessions, the thirteen tracks presented here have been selected and edited by Alex Keller revealing the visceral soundscape within.
Atlatl(aka Phil Hendricks)uses analog modular electronics to explore evocative scapes where even faults and imperfections are allowed to interact and create evolving organic terrain.





Eric Leonardson and Steve Barsotti

CD trans/mim0125

Rarebit is the culmination of a four-year project by sound artists and instrument inventors Steve Barsotti and Eric Leonardson. Taking their cues from 20th Century sound artist-inventors Luigi Russolo and Harry Partch, the self-built instruments of Barsotti and Leonardson use coil springs, eyebolts, various pieces of wood, and other familiar materials These objects are amplified by contact microphones, which produce sounds of incredible depth and texture, and an amazing richness and variety that belie their humble origins. Given these novel sounds, Leonardson and Barsotti’s music retains human-level gestures as one expects from traditional acoustic music, yet with an emphasis on texture and timbre instead of melody or meter.
Seven of the nine pieces on the CD are improvised pieces and two were composed. They create streams of sound that move fluidly from scene to scene with a communicative style and a dramatic sense of presence and dynamic range: from effervescent burbling, animal-like whines and grunts, to gritty metallic drones that transform into forlorn hissing and ethereal soundscapes. Some passages are nearly silent, breathy, and tranquil.


Steve Barsotti
"Along These Lines"
CDR mimeo008

Subtle fluttering fragments that boarder on the inaudible float across the stereo spectrum and hover on the fringes of perception are interspersed with glitchy shards that dance on the edge of the speaker cone and threaten to pierce through into the room The newest collection of works by Seattle sound artist Steve Barsotti featuring works for invented instruments, electronics  and field recordings.  Limited edition of 200

“Terraces is built out of steppes, plateaus and crevices I would never have dared on my own. Mundane sounds become monumental events, subtleties are substantiated, echoes made epic, and shades of doubt edited out.  Composed out of an improvised set, Terraces articulates thresholds where land meets sky, sea meets shore, and where one's inner landscape converges with the outside world.”  - Perri Lynch


  For more information and how to order, please visit our catalog page.